courses

Fashion Editorial Course- This weekend 28th/29th Nov

Due to a last minute cancellation, we have one place left on our Fashion Editorial course that is set to go ahead this weekend, 28/29th Nov in Brighton. The course is run by Kevin, and his assistant Natasha, who has shot a lot of fashion and founded GangUp Magazine- which is dedicated to beautiful editorials. We will be providing an experienced and enthusiastic model, who has been published in editorials and covers. We also provide our favourite stylists Stevi and Emma of Ophelia Fancy, who have styled numerous shoots, parties and TV styling, and of course there will be a professional MakeUp artist throughout the day.

The course will look at the idea of creating a story through your images, working with a team, directing a model and producing a great edit. We will discuss the submission process and how to get the best out of your creative team, as well as looking specifically at lighting. For further details click this …..

Denison Boston LookBook

Denison Boston LookBook

Newhaven Editorial

Newhaven Editorial

Top 10 Things somebody should have told me before I picked up my DSLR.

With a “You and Your DSLR” course approaching I have started to think about what it is about digital photography that I wish I had known from the outset and what about photography in general might speed up the learning curve of a photographer.

Beyond experimentation and practice, image reviewing and criticism there are a fair few technical aspects that if considered right from the start may avoid some of the irritation and pain that can occur. Try not to have a “what’s wrong with my camera, pictures, and files” moment.

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10. Your camera is not important.

Your camera body isn’t the most important part of you kit, it is hard to resist the next model in the range, the one with more features the one that promises more pixels, better pictures, but your lens has the most influence on image quality. If you are still using the cheap kit lens that came with your body it is time to do some research and consider what you need your lens to do.

DSLR’s are designed to take interchangeable lenses, although opening your wallet may seem like a scary thought, a good lens will allow you to shoot in different situations and conditions and give more control over your photography.

It doesn’t even need to be that heavy on the finances; cheaper plastic prime lenses are available and can allow you f-stops that will change your photography.

9. Don’t expect Auto Focus to read your mind,

Controlling the emphasis of you photography and keeping the important features in your shot is important.

Auto focus automatically does this for you; well auto focus will focus on something, or more accurately anything but normally that is the object right in the centre of your frame. Cameras have no idea what your chosen subject is or where it is in the frame, as a photographer selecting the correct auto focus point for each shot is important so make sure that it is you making the choice and not the camera.

8. Don’t downgrade your camera

You paid enough for your new equipment, why would you decide to only use half of it. Most DSLR’s come with around a 1000 resolution settings well it seems like that when you go into the menus.

The resolution of the camera is usually a key selling point for any camera so when you select a setting below the full capacity you may as well have bought a cheaper camera. Shoot the largest file you can.

Shoot RAW and enjoy the benefits it has to offer.

7. &  6 Respect your memory cards, don’t respect your LCD screen

Memory cards work hard remembering all your shots, they remember the good and the bad ones and this is hugely valuable to learners. Being able to see why bad shots fail is as useful as seeing why great shots work.

A good habit to get into to after each series of shots is to download them all to your computer then place the card back into the camera to format it after each download. Get out of the habit of culling images on your memory card before you have viewed them full size on a computer. It is very hard to make a judgment on a 3” LCD screen, and also your memory card will reward you for keeping its memory system in order. Deleting files out of sequence and not using the camera to format it each time will eventually end in a corruption precisely when you need it least.

A 3” version of the image you have just shot is a very tricky way to judge an image, it can allow you a good idea whether the overall composition works and whether highlights are blown or whether you have the correct exposure or not, but it is very easy to miss important details. Always zoom into your image to check that you have the image you need, are everyone’s eyes open ? where is the focus ? is the image sharp ? did you hold the camera still on that long exposure.

5. Read the manual, no really read the manual

A massive trait of mine is to take it out the box, fiddle with it, get the battery in it, fiddle some more, and say “I know how it works”. In fact I feel that I can master most electrical equipment, toys, gadgets within 30 seconds of getting them in my grubby hands. Wrong!!

Cameras need to be understood, read the manual, understand what each button does, otherwise the chances are that you will find that you are missing easy ways to make your shooting quicker easier. This will leave you more time to frame and compose your images.

4. Your camera isn’t a 35mm SLR

If you stand in exactly the same spot and frame the same shot with the same lens a digital SLR will capture less of the scene than a film SLR.

The reason being that digital sensors are not the same size as original 35mm film and the digital sensor area is recording is a cropped part of the scene. This cropping means you either need to step further back or change your lens. The factor at which this cropping happens alters with each different manufacturer. With Canon the cropping factor is 1.6 meaning your 50mm lens actually ends up being an 80mm lens (50mm x 1.6 =80mm) Although this can be useful when buying a telephoto lens as your crop factor may mean the 80-200mm lens you are buying is actually 128-320mm, it is good to remember especially when you are shooting at shorter focal length a 28mm lens on a DSLR is not a wide angle lens.

Crop factors are important to all DSLR users unless you have enough money to treat yourself to a full frame model.

3. WorkFlow

Right from when you first start taking digital images it important to put in place a workflow and storage system. This system should include backing up files, keeping an unedited “negative” raw file of all your images hopefully linked or in the same place as your edited final version, downloading images and formatting cards.

Making sure that you have a system for these things will reward you when, as has happened to every photographer at some point, a hard drive fails, or a memory card is changed and the images haven’t been formatted. If you have a system in place you won’t have a “Help, have I downloaded these” moment.

2. Sharpen

If you are printing your own work or supplying your images for printed material, sharpening is of huge importance.

You want your images to look as good they do on the screen if not better and if you don’t sharpen you will never achieve this. There are various ways of doing it and it a little experimentation will allow you to achieve far better prints.

1. Calibrate

Every screen displays an image differently; if you have never calibrated your monitor you have no idea what you images looks like.

When you have brought a shot into photoshop tweaked it and are happy with the results, if you have not calibrated your monitor, you may have created something that may look bizarre when printed or displayed on a calibrated screen.

Calibration devices are simple to use and fairly cheap and even better can be shared between friends or even between people you don’t like very much. They will mean you can have confidence in the images that you are producing.

Matt.

DSLR User Magazine features our HotShot course

If you go down to the shops today, your sure of a big surprise……why?

Well because there is a big fat juicy article on Garage Studios HotShots course with lomokev in this months DSLR User Magazine.

The lovely Charlotte Griffiths who writes for this mag as well as several others came along to the last HotShots course we did and had a great time by all accounts. You can see some more of her shots from the course here.

If you’d like to find out more about the Hotshot course or any of the other courses we run, why not get in contact with us by clicking here.

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One day flash course - Group Shot

sept 09 one day_lores

Hot off the press and straight outta Photoshop is the latest group image from the one day flash course that we run at Garage Studios.

Every flash / strobist course that he teaches, Adam, tries to get a group shot of the students on the course. You can see more of the group shots on the Garage Studios Flickr Account.

This was inspired by watching the students check the back of their cameras to see how the shots were coming out. Its a common photography practice which is affectionately known as Chimping. Each student is lit by their own flash and the whole seen is lit by one flash on an umbrella and two table lamps on the floor in the background.

If your interested in finding out about the one day flash course click on the link. We’ve just worked out the next dates for the course and they are Sunday 22nd November (half the places already reserved) and Sunday 17th January. If you’d like to reserve a place CLICK HERE

Off-camera flash adventure

We’ve been so impressed with some of the shots we’ve seen, from one of our past Off camera flash / strobist course students, that we asked her to write a blog post for us.

Juliet Greig came on our FLASH: Improve your lighting course back in June and has just done an amazing shoot. Here’s what she wrote:

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“In the last few weeks I’ve been working with Charlotte, who is looking to build up a modeling portfolio. We had already done a few shoots of Charlotte with my photographer friend Katariina, who has bowens lights at her studio in Newhaven. This time we wanted to give off-camera flash a go, and take advantage of the natural surroundings of Brighton beach rather than a neutral studio environment. I wanted to re-create the atmosphere of the 1950s style beach photographs of the girls sitting on the railings, as Brighton is the perfect location.

Having recently done Adam Bronkhorst’s off-camera flash course at Garage Studios, I was able to get things set up without too many problems. I put the nikon SB600 flash on a lighting stand and attached an umbrella to diffuse the light. Unfortunately the wind was blowing so strongly that the umbrella crumpled and broke within the first 5 minutes. That was an important lesson, umbrellas and wind don’t go together very well! Anyhow, I used a plastic stofen diffuser on the flash for the rest of the shoot.

As the sun began to set, the golden glow was visible through the glass of the promenade shelters. Katariina had the idea of asking Charlotte to pose in front of the shelters, which turned out to be the best idea of the day. The golden light in the photographs behind Charlotte is exactly what we saw. The settings for the camera for these shots was 1-200 sec shutter speed, f 6.3, ISO 100 with the flash off-camera on a stand at 1/8th power.

This shoot was the first time I had used off-camera flash outside and it was a valuable learning experience. Charlotte, Katariina and myself are very pleased with the shots and we will definitely be trying this kind of photography again!

Juliet”

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We’ve just set the new dates for the FLASH: Improve your lighting course and they are Sunday 22nd November & Sunday 17th January. If you’d like to find out more or to book a place CLICK HERE.

You can see more of Juliet’s photography on her Flickr stream here and you can see some more past students work here in an old blog post

In the mean time have a look at Juliet’s amazing photos:

charlotte2loRES

charlottecrossprocessloRES

charlotte4loRES

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If you’d like to find out more or to book a place on the flash course CLICK HERE.